Friday, January 27, 2017

The 2011 International Best Comics Poll--Participant Lists T-Y

The International Best Comics Poll was first published at The Hooded Utilitarian in August of 2011. The material remains available at that site. I conceived, organized, and edited the project. I'm cross-publishing my posts and the participant lists here for personal archival purposes. Links to essay contributions by other writers will go to saved versions of The Hooded Utilitarian pages on www.archive.org.
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The following lists were submitted in response to the question, "What are the ten comics works you consider your favorites, the best, or the most significant?" All lists have been edited for consistency, clarity, and to fix minor copy errors. Unranked lists are alphabetized by title. In instances where the vote varies somewhat with the Top 115 entry the vote was counted towards, an explanation of how the vote was counted appears below it.

In the case of divided votes, only works fitting the description that received multiple votes on their own received the benefit. For example, in Jessica Abel's list, she voted for The Post-Superhero comics of David Mazzucchelli. That vote was divided evenly between Asterios Polyp and Paul Auster's City of Glass because they fit that description and received multiple votes on their own. It was not in any way applied to the The Rubber Blanket Stories because that material did not receive multiple votes from other participants.

Matthew Tauber
Writer, www.MattTauber.blogspot.com

Barnaby, Crockett Johnson
• The Conan the Barbarian Stories, Kurt Busiek & Cary Nord
• The Daredevil Stories, Brian Michael Bendis & Alex Maleev
• The Fantastic Four Stories, John Byrne
• The MAD “Marginal” Cartoons, Sergio Aragonés
• The New Teen Titans Stories, Marv Wolfman & George Pérez
Peanuts, Charles M. Schulz
• The Tarzan Stories, Joe Kubert
Terry and the Pirates, Milton Caniff
• The Two-Fisted Tales Stories, John Severin
Counted as a vote for The EC Comics War Stories, Harvey Kurtzman & John Severin, Wallace Wood, Jack Davis, et al.


Ty Templeton
Cartoonist, Stig’s Inferno; illustrator, Batman Adventures

• The Arzach Stories, Jean “Moebius” Giraud
A Contract with God and Other Tenement Stories, Will Eisner
• “Corpse on the Imjin,”, Harvey Kurtzman
Counted as a vote for The EC Comics War Stories, Harvey Kurtzman & John Severin, Wallace Wood, Jack Davis, et al.
• “The Dark Knight Returns,” Frank Miller, with Klaus Janson & Lynn Varley
Counted as a vote for Batman: The Dark Knight Returns
• “The Joker’s Five-Way Revenge,” Denny O’Neil & Neal Adams
Maus: A Survivor’s Tale Art Spiegelman
• “The Pact!”, Jack Kirby, with Mike Royer
Counted as a vote for The Fourth World Stories, Jack Kirby, with Mike Royer, et al.
Pogo, Walt Kelly
• “Superduperman,” Harvey Kurtzman & Wallace Wood
Counted as a vote for MAD #1-27, Harvey Kurtzman & Will Elder, Wallace Wood, Jack Davis, et al.
Watchmen, Alan Moore & Dave Gibbons

COMMENTS

I decided that the best way to sum up a top ten (in no order of preference, since that would drive me to madness) was to list the creator (or team in the case of O'Neil and Adams) as a body of work, and then pick my favorite single issue to serve as an example of that artist. I hope that helps.

- Harvey Kurtzman’s complete work, focusing on MAD and the EC war books, and if I must bring it down to one story, it’s “Corpse on the Imjin,” from Frontline Combat.

- Jack Kirby’s complete body of work - but to reduce it to one single comic book series, it’s New Gods and down to one single issue it’s New Gods #7, "The Pact!".

- Moebius - Arzach, the collected stories.

- Denny O’Neil/Neal Adams, their complete collaborative works (including Green Lantern/Green Arrow, Batman, and Superman vs. Muhammad Ali). If I must reduce it to one issue, it’s Batman #251 "The Joker’s Five Way Revenge."

-Wally Wood’s body of work, focusing on EC and MAD magazine, and if I must narrow it down to a single story, I’ll pick “Superduperman” from the MAD comic book by Kurtzman and Wood.

- Alan Moore’s complete body of work, but pushing into just one choice, it’s Watchmen by Moore and Dave Gibbons.

- Maus by Spiegelman.

- Will Eisner’s complete body of work, but reduced to one choice it’s his graphic novel, A Contract with God.

- Frank Miller’s work on Daredevil, Ronin, some of Sin City, and most of his work on Batman (except Spawn/Batman and DK2, which were dreadful). If I must give it just one issue as an example it’s Batman: The Dark Knight Returns #1.

- Walt Kelly’s Pogo. From the first Albert and Pogo comics, to the syndicated strip, Pogo was perfect from inception to end. To pick just one specific page is impossible.


Jason Thompson
Author, Manga: The Complete Guide; co-creator & scriptwriter, King of RPGs;

Achewood, Chris Onstad
Beirusayu no Bara [The Rose of Versailles], Riyoko Ikeda
Cerebus, Dave Sim & Gerhard
• The Doom Patrol Stories, Grant Morrison & Richard Case, with Scott Hanna, et al.
Jojo no Kimyô na Bôken [Jojo’s Bizarre Adventure], Hirohiko Araki
Meanwhile, Jason Shiga
The New Yorker Cartoons, Roz Chast
Peanuts, Charles M. Schulz
Pogo, Walt Kelly
Tintin, Hergé

COMMENTS

Here are my choices of ten great comics. They're all series that are either extremely well-crafted, very touching to me for personal reasons, or very powerful and cohesive in expressing the artist's persona, which is the best thing that can be said about any work of art (at least, right alongside and perpetually struggling with the other great goal of "being entertaining to the reader").


Kelly Thompson
Writer, www.1979SemiFinalist.wordpress.com; contributing writer, www.ComicBookResources.com

• (1.) The ACME Novelty Library #20 (“Lint”), Chris Ware
• (2.) Batwoman: Elegy, Greg Rucka & J. H. Williams III
• (3.) Black Hole, Charles Burns
• (4.) Calvin and Hobbes, Bill Watterson
• (5.) Planetary, Warren Ellis & John Cassaday
• (6.) Love and Rockets, Gilbert Hernandez & Jaime Hernandez
Counted as a 0.5 vote each for The Locas Stories, Jaime Hernandez, and The Palomar Stories, Gilbert Hernandez
• (7.) Y: The Last Man, Brian K. Vaughan & Pia Guerra, with José Márzan, Jr., et al.
• (8.) Nextwave: Agents of H.A.T.E., Warren Ellis & Stuart Immonen
• 9. Maus: A Survivor’s Tale, Art Spiegelman
• (10.) Unlikely, Jeffrey Brown


Matt Thorn
Associate Professor, Faculty of Manga, Kyoto Seika University

• The Arzach Stories, Jean “Moebius” Giraud
Happy Hooligan, Frederick Opper
Histoire de M. Jabot [The Story of Mr. Jabot], Rodolphe Töpffer
Counted as a vote for Works, Rodolophe Töpffer
Kinkin Sensei Eiga no Yume [Master Flashgold’s Splendiferous Dream], Harumachi Koikawa
Little Nemo in Slumberland, Winsor McCay
• The Little Lulu Stories, John Stanley, with Irving Tripp & Charles Hedinger
Metropolis, Osamu Tezuka
• “Tanjô!”, Yumiko Ôshima
Terry and the Pirates, Milton Caniff
Watchmen, Alan Moore & Dave Gibbons

COMMENTS

These are not my personal favorites, but rather ten comics I think are historically important, either because of their influence on later work, or because they were groundbreaking.

1) Master Flashgold’s Splendiferous Dream (Kinkin Sensei Eiga no Yume), by Harumachi Koikawa, 1775, Japan. Possibly the world's first true graphic novel to reach a wide audience and turn a profit for its creator and publisher. Unlike most early European sequential art, the text is in incorporated within the image. Printed using the sophisticated woodblock technology of the day, this bestseller kicked off the entire genre of single-volume "kibyôshi" ("yellow covers") and multi-volume "gôkan" ("combined volumes") that remained hugely popular among merchant-class Japanese until moveable type pretty much killed the woodblock print.

2) The Story of Mr. Jabot (Histoire de M. Jabot), by Rodolphe Töpffer, 1833, Switzerland. Is there any doubt that popular Western sequential art pretty much begins with Töpffer? Sure, there are earlier examples of sequential art, but nothing came close to the popular success and impact of Töpffer's works, which are still hilarious and inspiring today.

3) Happy Hooligan, by Fred Opper, 1900-1932, U.S.A.. I think it's fair to say that Opper was the first to bring all the major elements of modern comics together, consistently, and make them the lingua franca of the newspaper funnies and early comic books. Speech balloons? Check. No distracting narration outside the panels? Check. Lines and other devices to illustrate motion, impact, and other "invisible" elements? Check. Whether or not you think the work has aged well is a matter of taste, I suppose.

4) Little Nemo in Slumberland" by Winsor McCay, 1905-1914, U.S.A.. McCay couldn't write a coherent line of dialogue to save his life, but, oh, Prunella, could that guy draw some wicked stuff. He expanded the visual grammar of comics exponentially. A century later, it still makes for brilliant eye candy.

5) Terry and the Pirates, by Milton Caniff, 1934-1946, U.S.A.. The funnies grow up. And an artist stands up for creator rights.

6) Little Lulu, written by John Stanley, drawn by Stanley, Irving Tripp and Charles Hedinger, 1945-1959, U.S.A.. Stanley's Little Lulu is probably the smartest, funniest, most carefully crafted children's comic book ever created, with the possible exception of Carl Barks' duck books. And Lulu was probably the ideal role model for postwar American girls. Compared to Lulu, almost every other comic created for children in the history of the medium seems like greasy kids' stuff. At least until Jill Thompson gave us the Scary Godmother.

7) Metropolis, by Osamu Tezuka, 1949, Japan. This, along with Tezuka's Lost World (1948) and The World to Come (Kitaru Beki SekaiA Contract With God in 1978. They were for kids, sure, but they had genuine, complex themes. Good and evil were not cut-and-dried. Characters died. Readers were moved. When the young Tezuka showed his work to one of the most influential children's manga artists of the day, the man was so appalled he told Tezuka, "It's your own business if you want to make this stuff, but I hope it doesn't catch on."

8) "Birth!" ("Tanjô!"), by Yumiko Ôshima, 1970, Japan. This profound and moving short story about a pregnant high-school girl struggling to decide whether or not to have an abortion took "girls" comics" to a whole new plane, and had an enormous influence on other young Japanese women cartoonists. Within a few short years, Japanese girls' comics were transformed from an object of scorn to the cutting edge of the manga world.

9) Arzach, by Jean "Moebius" Giraud, 1975, France. Gorgeous detail! Psychedelic pterosaurs! Flopping penises! The sophistication and (dare I say) miss en scène of Moebius' sci-fi vision continues to exert mind-boggling influence on creators working in a wide range of media, all over the world.

10) Watchmen, by Alan Moore and Dave Gibbons, 1986-1987, U.S.A.. This is probably on most people's lists, but I think it's hard to overstate how brilliant this book is on so many levels. Too bad Warner Bros. chose the single most inappropriate director for the film. Who would look at Gibbons' stoic, tic-tac-toe layouts and stifled characters and think, "Hey, let's get the guy who directed 300 to do this!"? I would have gone with Wim Wenders.


Tom Tirabosco
Cartoonist, L’Émissiare [The Emissary], L’Oeil de la forêt [The Eye of the Forest]

L’Ascension du haut-mal [Epileptic], David B.
Asterios Polyp, David Mazzucchelli
Black Hole, Charles Burns
Blast, Manu Larcenet
La Guerre d’Alan [Alan’s War], Emmanuel Guibert
Haruka na Machi-e [A Distant Neighborhood], Jiro Taniguchi
Jimmy Corrigan: The Smartest Kid on Earth, Chris Ware
Monsieur Jean [Get a Life], Philippe Dupuy & Charles Berberian
Pascin, Joann Sfar
Tintin au Tibet [Tintin in Tibet], Hergé


Mark Tonra
Cartoonist, James, Top of the World

Krazy Kat, George Herriman
Peanuts, Charles M. Schulz
Pogo, Walt Kelly
Polly and Her Pals, Cliff Sterrett
Thimble Theatre, starring Popeye, E. C. Segar
• Works, George Booth
• Works, Jules Feiffer
Counted as a vote for Feiffer and Sick, Sick, Sick
• Works, B. Kliban
• Works, Sempé
• Works, Saul Steinberg


Noel Tuazon
Cartoonist, Obese Obsessor; co-creator & illustrator, This Is Where I Am

Barney et la note bleue [Barney and the Blue Note], Jacques Loustal & Philippe Paringaux
Bouche du diable [Billy Budd, KGB], Jerome Charyn & François Boucq
La Femme du magicien [The Magician’s Wife], Jerome Charyn & François Boucq
Fuochi [Fires], Lorenzo Mattotti
• “The Hourman”, Matt Wagner, Steven T. Seagle, and Guy Davis
Idyl, Jeffrey Catherine Jones
Lloyd Llewellyn, Daniel Clowes
• The Sandman Mystery Theatre Stories, Steven T. Seagle & Guy Davis, et al.
The Shadow Stories, Denny O’Neil & Michael W. Kaluta
Swamp Thing, Len Wein & Bernie Wrightson


Carol Tyler
Cartoonist, You’ll Never Know, Late Bloomer

Binky Brown Meets the Holy Virgin Mary, Justin Green
Nancy, Ernie Bushmiller
Nancy and Sluggo Go to Summer Camp, John Stanley
• Works, R. Crumb (most things)
Counted as a 0.333 vote each for The Book of Genesis Illustrated, The Counterculture-Era Stories, and The Weirdo-Era Stories


Marguerite Van Cook
[Please consult Wikipedia for Marguerite Van Cook’s biography]

The Brinkley Girls, Nell Brinkley
Colin-Maillard [Heartthrobs], Max Cabanes
Corto Maltese: La ballade de la mer salée [The Ballad of the Salt Sea], Hugo Pratt
La Femme du magicien [The Magician’s Wife], Jerome Charyn & François Boucq
• “Hell and Back,” Frank Miller & Bill Sienkiewicz [Elektra: Assassin #1]
Counted as a vote for Elektra: Assassin, Frank Miller & Bill Sienkiewicz
The ‘Nam, Doug Murray & Michael Golden, with John Beatty, et al.
100%, Paul Pope
Rônin, Frank Miller, with Lynn Varley
• “A Small Place in Hell,” Jack Kirby, with D. Bruce Berry [Our Fighting Forces #152]


Stefan J. H. van Dinther
Cartoonist, Man and Guy, Allow to Infuse

Arman & Ilva, Lo Hartog van Banda & Thé Tjong Khing
Astérix le gaulois [Astérix the Gaul], René Goscinny & Albert Uderzo
• The Gospel Stories, Chester Brown
Jimbo, Gary Panter
• “Life o’ Bub,” David Hornung
• The Lucky Luke Stories, Morris & René Goscinny
• The Rubber Blanket Stories, David Mazzucchelli
Suske en Wiske [Willy and Wanda], Willy Vandersteen
Thimble Theatre, starring Popeye, E. C. Segar
Travel, Yuichi Yokoyama

COMMENTS

Here’s a list with comics that are important to me right now (rather different from what it was five years ago, and probably very different over five years).


Noah van Sciver
Cartoonist, Blammo

• (1.) Jimmy Corrigan: The Smartest Kid on Earth, Chris Ware
• (2.) Ice Haven, Daniel Clowes
• (3.) Misery Loves Comedy, Ivan Brunetti
• (4.) The Girl from H.O.P.P.E.R.S., Jaime Hernandez
Counted as a vote for The Locas Stories
• (5.) Louis Riel, Chester Brown
• (6.) The Complete Crumb Comics, Volume 17, R. Crumb
Counted as a vote for The Weirdo-Era Stories
• (7.) Funny Misshapen Body, Jeffrey Brown
• (8.) Map of My Heart, John Porcellino
Counted as a vote for King-Cat Comics and Stories
• 9. The Poor Bastard, Joe Matt
• (10.) My New York Diary, Julie Doucet

COMMENTS

I think my list is pretty boring. Nothing too special, but to hell with it.
Here are my top ten all time favorite comics that I read over and over.



Sara Varon
Cartoonist, Robot Dreams, Chicken and Cat

Asterios Polyp, David Mazzucchelli
Aya, Marguerite Abouet & Clement Oubrerie
Le Chat du rabbin [The Rabbi’s Cat], Joann Sfar
Fuzz and Pluck, Ted Stearn
Goodbye, Chunky Rice, Craig Thompson
Laika, Nick Abadzis
Persepolis, Marjane Satrapi
Skim, Mariko Tamaki & Jillian Tamaki
Spaniel Rage, Vanessa Davis
The Unsinkable Walker Bean, Aaron Renier


Mike Vosburg
Emmy-winning animator, Spawn; cartoonist, Lori Lovecraft; illustrator, G.I. Joe

American Flagg!, Howard Chaykin
• The Hawkman Stories, Gardner Fox & Joe Kubert
MAD #1-27, Harvey Kurtzman & Will Elder, Wallace Wood, Jack Davis, et al.
The Spirit, Will Eisner
Stuntman, Joe Simon & Jack Kirby
• The Uncle $crooge Stories, Carl Barks
Weird Science-Fantasy, Al Feldstein, editor
Counted as a vote for The EC Comics Science-Fiction Stories, Al Feldstein & Wallace Wood, Al Williamson, Joe Orlando, et al.


David Welsh
Writer, www.MangaCurmudgeon.com

Aruku Hito [The Walking Man], Jiro Taniguchi
Castle Waiting, Linda Medley
The Defenders Stories, Steve Gerber & Sal Buscema
Doonesbury, Garry B. Trudeau
Emma, Kaoru Mori
Furûtsu Basaketto [Fruits Basket], Natsuki Takaya
Kurosagi Shitai Takuhaibin [The Kurosagi Corpse Delivery Service], Eiji Ôtsuka & Housai Yamazaki
MW, Osamu Tezuka
One Piece, Eiichiro Oda
Seiyô Kottô Yôgashiten [Antique Bakery], Fumi Yoshinaga


Mack White
Co-creator & illustrator, Texas Tales Illustrated; cartoonist, Villa of the Mysteries

• (1.) Little Nemo in Slumberland, Winsor McCay
• (2.) The Long Tomorrow, Dan O’Bannon & Jean “Moebius” Giraud
• (3.) Los Tejanos, Jack Jackson
• (4.) The Weirdo Stories, R. Crumb
• (5.) Krazy Kat, George Herriman
• (6.) Spider-Man, Stan Lee & Steve Ditko
• (7.) The Superman Stories, Mort Weisinger & Curt Swan, Wayne Boring, et al.
• (8.) “Here,” Richard McGuire
• (9.) Starstruck, Elaine Lee & Michael Kaluta
• (10.) Two-Fisted Tales, Harvey Kurtzman, editor
Counted as a vote for The EC Comics War Stories, Harvey Kurtzman & John Severin, Wallace Wood, Jack Davis, et al.


Qiana J. Whitted
Associate Professor of English and African-American Studies, University of South Carolina; co-editor, Comics and the U.S. South

American Born Chinese, Gene Luen Yang
Bayou, Jeremy Love
Fun Home, Alison Bechdel
Jimmy Corrigan: The Smartest Kid on Earth, Chris Ware
• “Judgment Day,” Al Feldstein & Joe Orlando
Counted as a vote for The EC Comics Science-Fiction Stories, Al Feldstein & Wallace Wood, Al Williamson, Joe Orlando, et al.
Maus: A Survivor’s Tale, Art Spiegelman
Nat Turner, Kyle Baker
Stagger Lee, Derek McCulloch & Shepherd Hendrix
Watchmen, Alan Moore & Dave Gibbons
X-Men: God Loves, Man Kills, Chris Claremont & Brent Anderson

COMMENTS

I don't even know where to begin with a list of my personal favorites, but here are my top ten favorite comics to teach.


Karl Wills
Cartoonist, Jessica of the Schoolyard, Dr. Connie Radar, PhD

The Biologic Show, Al Columbia
Dr. Slump, Akira Toriyama
Eightball, Daniel Clowes
Counted as a 0.2 vote each for Caricature: Nine Stories, David Boring, The Death Ray, Ghost World, and Ice Haven
Krazy Kat, George Herriman
• The MAD Stories, Will Elder
Counted as a vote for MAD #1-27, Harvey Kurtzman & Will Elder, Wallace Wood, Jack Davis, et al.
The New Yorker Cartoons, Charles Addams
Prison Pit, Johnny Ryan
Stardust the Super Wizard, Fletcher Hanks
Thimble Theatre, starring Popeye, E. C. Segar
Tintin, Hergé


Sean Witzke
Writer, www.Supervillain.wordpress.com

Akira, Katsuhiro Otomo
Black Kiss, Howard Chaykin
Calvin and Hobbes, Bill Watterson
• The Doom Patrol Stories, Grant Morrison & Richard Case, with Scott Hanna, et al.
Elektra: Assassin, Frank Miller & Bill Sienkiewicz
Le Garage hermétique [The Airtight Garage], Jean “Moebius” Giraud
• The Nick Fury, Agent of S.H.I.E.L.D. Stories, Jim Steranko, with Joe Sinnott, et al.
The Nikopol Trilogy, Enki Bilal
Scud: The Disposable Assassin, Rob Schrab
The Winter Men, Brett Lewis & John Paul Leon


Matthias Wivel
Writer, www.Metabunker.dk; contributing writer, www.HoodedUtilitarian.com

• The Disney Comics (c.1948-1954), Carl Barks
Counted as a vote for The Donald Duck and Uncle $crooge Stories, Carl Barks
The Fourth World Stories, Jack Kirby, with Mike Royer, et al.
Le Garage hermétique, Jean “Moebius” Giraud
Hi no Tori [Phoenix], Osamu Tezuka
Die Hure H [W the Whore], Katrin de Vries & Anke Feuchtenberger
Krazy Kat, George Herriman
• The Locas Stories, Jaime Hernandez
Mûno no Hito [The Talentless Man], Yoshiharu Tsuge
Peanuts, Charles M. Schulz
Tintin au Tibet [Tintin in Tibet], Hergé

COMMENTS

Here is my frustrating, impossible list. Neither fowl nor fish. Perhaps I shouldn’t have made it at all.

I could have definitely put ten other comics there and have a list I would find as satisfying/frustrating.

[About The Disney Comics of Carl Barks] If you want something specific: “Luck of the North”.

[About Hi no Tori [Phoenix]] If specific, Uchû-Hen [Karma].

[About Locas] If specific, The Death of Speedy.

[About Die Hure H] If specific, Die Hure H zieht ihre Bahnen [W the Whore Makes Her Tracks].


Douglas Wolk
Author, Reading Comics: How Graphic Novels Work and What They Mean; writer, www.Lacunae.com

Big Numbers, Alan Moore & Bill Sienkiewicz
Black Hole, Charles Burns
Cerebus, Dave Sim & Gerhard
Footnotes in Gaza, Joe Sacco
• The Frank Stories, Jim Woodring
Fun Home, Alison Bechdel
Judge Dredd, John Wagner, et al.
Krazy Kat, George Herriman
• The Love and Rockets Stories, Jaime Hernandez
Counted as a vote for The Locas Stories
Mister O, Lewis Trondheim


Jason Yadao
Columnist, Honolulu Star-Advertiser

Battle Royale, Koushun Takami & Masayuki Taguchi
Black Jack, Osamu Tezuka
Dr. Slump, Akira Toriyama
Groo the Wanderer, Sergio Aragonés, with Mark Evanier, Tom Luth, and Stan Sakai
Maison Ikkoku, Rumiko Takahashi
nemu*nemu, Audra Furuichi & Scott Yoshinaga
Ôran Kôkô Hosuto Kurabu [Ouran High School Host Club], Bisco Hatori
Peanuts, Charles M. Schulz
Pearls Before Swine, Stephan Pastis
Yotsuba&!, Kiyohiko Azuma


Chris York
Instructor, Pine Technical College; contributing writer, International Journal of Comic Art

Batman #1, Bob Kane, Bill Finger, Jerry Robinson, et al.
Batman: The Dark Knight Returns, Frank Miller, with Klaus Janson & Lynn Varley
• The Catwoman Stories, Ed Brubaker, et al.
The Fall, Ed Brubaker & Jason Lutes
• “In Mortal Combat with the Sub-Mariner,” Stan Lee & Wallace Wood [in Daredevil #7 (1965)]
• em>It’s a Good Life, If You Don’t Weaken, Seth
Mister X, Dean Motter, Gilbert Hernandez, and Jaime Hernandez
• The Sandman Mystery Theatre Stories, Matt Wagner & Guy Davis
Tintin, Hergé
• The X-Men Stories, Chris Claremont & John Byrne, with Terry Austin


Rafe York
Writer, www.FanboyScholar.blogspot.com

Alias, Brian Michael Bendis & Michael Gaydos
Amelia Rules!, Jimmy Gownley
• “Behold, the Vision!”, “Even an Android Can Cry,”, “The Name Is Yellowjacket,” and “‘Til Death Do Us Part,”, Roy Thomas & John Buscema, with George Klein [in The Avengers #57-60 (1968)]
DC: The New Frontier, Darwyn Cooke
• The Doom Patrol Stories, Grant Morrison & Richard Case, with Scott Hanna, et al.
• “The Fatal Five” and “The Doomed Legionnaire,” Jim Shooter & Curt Swan, with George Klein [in Adventure Comics, featuring Superboy and the Legion of Super-Heroes #352-353 (1966)]
• The Master of Kung Fu Stories, Doug Moench, et al.
• The Sandman Mystery Theatre Stories, Matt Wagner, Steven T. Seagle, Guy Davis, et al.
The Sandman: Season of Mists, Neil Gaiman & Kelley Jones, et al.
• “Should Old Acquaintance Be Forgot?” and “Blood on the Moors,” Roger Stern & John Byrne, with Joe Rubinstein [in Captain America #253-254 (1980)]


Yidi Yu
Cartoonist, www.Deadend-Detour.com

Asterios Polyp, David Mazzucchelli
Batman: The Killing Joke, Alan Moore & Brian Bolland
Calvin and Hobbes, Bill Watterson
Death Note, Tsugumi Ohba & Takeshi Obata
Lackadaisy, Tracy Butler
Onani Master Kurosawa, Yokota Takuma & Katsua Ise
Rabu-Kon [Lovely Complex], Aya Nakahara
Rice Boy, Evan Dahm
Sinfest, Tatsuya Ishida
xkcd, Randall Monroe


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The 2011 International Best Comics Poll Index

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